Interventions 2 / BULLFIGHTING

Bullfighting is a tradition that involves professional performers who execute various formal moves with the goal of appearing graceful and confident, while masterful over the bull itself. Such manoeuvers are performed at close range, and conclude with the death of the bull by a well-placed sword thrust as the finale.

This 14 meters high black silhouetted image of a bull in semi-profile is regarded as the unofficial national symbol of Spain. One of the biggest sherry companies erected these large images of bulls starting in 1956, in black with the maker's name, as advertising boardings on sites near to major roads throughout Spain.

A law was passed in 1994 prohibiting roadside advertising and so the boardings were to be removed. By this time the signs were nationally renowned, and public response resulted in the signs being retained, but completely blacked out to remove all reference to the original advertisers. The Court eventually allowed these signs to remain on the grounds that it has become a part of the landscape where it is present and its "aesthetic or cultural significance" thus turning it into a figure of public domain. (from Wikipedia)

La corrida de toros es un espectáculo en el que participan varias personas para lidiar un toro bravo. El espectáculo concluye con la muerte del animal y sigue una determinada serie de actos de estricto protocolo tradicional regidos por una intención estética. Las corridas de toros son consideradas expresión de la cultura ibérica.

Esta silueta negra de toro de 14 metros es considerada el símbolo no oficial de España. Una de las más grandes compañías de vinos de Jerez los comenzó a erigir en 1956, negros y con el logotipo de la marca, como vallas publicitarias de carretera.

En 1994 se aprobó una ley que prohibió las vallas publicitarias en carreteras. La celebridad que para entonces habían alcanzado resultó en una defensa por parte del público que permitió la permanencia de los toros, aunque pintados de negro para eliminar toda referencia a los anunciantes originales. Los tribunales permitieron su permanencia por su "significancia cultural o estética" y por haberse convertido en parte del paisaje, transformándolos así en figuras de dominio público. (de Wikipedia)